:n-the-m:x | March 2026

Welcome to our monthly mix series with each episode spotlighting 10 tracks that we were particularly excited about across various shows on Blue-in-Green:RADIO. This month showcases a selection providing a 42-minute excursion from eclectic soul to alt- and electronic-jazz and downtempo beats to round out the mix.

Music this month comes courtesy of... 

'Eu Vim da Bahia' by Francesca Confortini & Ryan MacKenzie

'All Night (Soul Session #1)' by Lehto (Bathurst)

'Someone Better' by Sonia Ziccardi (A.MA)

'Everything Falls Apart' by Raw Humps (Mandarin Dreams)

'Wormhole' by Varv (Off Records)

'Amiana Klimatu / Schimbarea Climatului' by Bloto + Ion D & Plevna (Astigmatic)

'Lucidity' by Chiminyo

'Leave it Time' by Hannah Featherstone (Most Least)

'Creeping Desert' by Art Test (Folded Music)

'Escurinha' by The Park Avenue Experience (Inner Worlds)

:n-the-m:x is exclusive to our Mixcloud channel so be sure to check back at the end of every month for future round-ups.

'Whisky Scented Kisses' by Daphne Roubini & Black Gardenia

Calling to mind the classic late night jazz motif of dark streets, late nights and smoke-filled jazz clubs - the kind of establishment populated by the lonely and the forlorn with the only comfort coming from the bitter whiskey and the sublime tones of Daphne Roubini and Black Gardenia as they grace the stage to provide the night's entertainment.

With Black Gardenia providing the suitably wistful and melancholy-tinged backdrop, Roubini delivers a vocal that breathes life back into the room.  Inspiring songs of whimsy, love and regret, 'Whisky Scented Kisses' finds the joy in the bleak and the ray of light in the hopeless; a celebration of sorts of classic jazz stylings and tradition all elegantly acknowledged throughout the album.

For the London-born, Vancouver-based Roubini, much of her journey has been about conveying her passion for music - through a litany of various industry and artistic projects, the singer and songwriter seems enamoured by the very thing that drives an artist to the point of creation ultimately seeking to understand that indefinable quality that has a person compelled to create regardless of any desired or perceived success.  

With 'Whisky Scented Kisses' finding its home through Cellar Live, the Canadian label - over the course of its 25 year lifespan - can boast a variety of projects from names as esteemed as Emmet Cohen, Vicente Archer and David "Fathead" Newman.  For Roubini and Black Gardenia, 'Whiskey Scented Kisses' marks the band's debut with the label, adding themselves to Cellar Live's rich lineage.  

Featuring a selection of seasoned and innovative Canadian musicians, Black Gardenia is comprised of guitarists Paul Pigat and Stephen Nikleva, trumpeter Brad Turner, bassist Jeremy Holmes and saxophonist Dave Say who perform brilliantly together and paint some lush and engaging canvases for Roubini to inhabit.

Comprised of nine songs that feature a mix of six Roubini-penned tracks alongside a trio of covers, and arrangements by Pigat, the ensemble cement their affections for a quintessential jazz aesthetic in the vein of Billie Holiday or Sarah Vaughan.  Like the last note that lingers in the air of a half-empty room or the last sip of whiskey clinging to the base of the glass after last call, 'Whisky Scented Kisses' finds a way to leave its mark on you and at the same time burrows into the dichotomy of intimacy and isolation at the heart of jazz.

'This is Neo-Soul' by Mark Adams

Beyond the term simply appearing within the album's title, "neo-soul" as a musical genre and an ideal proves a concept that weighs heavily throughout the latest release from keyboardist Mark Adams.

The genre's very lineage has been intertwined with Adams' own musical journey over the last twenty years notably through his time serving as the musical director and keyboardist for the mighty Roy Ayers and his Ubiquity ensemble.

Long-dubbed "the Godfather of Neo-Soul", Ayers' music proved pivotal to the genre's genesis during the mid-90s.  With his music sampled by names including Mary J Blige, A Tribe Called Quest and Digable Planets, to covers of his songs by D'Angelo and Ronny Jordan, even as far as collaborations that paired Ayers with Erykah Badu and Eric Benet, the indelible imprint of Roy Ayers' music permeated through to subsequent generations of R&B, hip-hop, jazz and neo-soul ensuring his own musical legacy.

With Adams himself having been immersed within the world of Roy Ayers for close to thirty years, 'This Is Neo-Soul' proves an exciting extension of the genre's - and Ayers' own - musical journey and one that fully embraces the genre's lineage celebrating the boundless potential that still lays ahead of it.

Credited for keyboards on Ayers releases that date back to the 90s including 'Nasté' (1995), 'Spoken Word' (1998) and 'Smooth Jazz' (1999), Adams' own catalogue has seen him helm the full-length projects 'Asceticism: A Portrait of Jazz', 'Embellishments (The Q&A Project)', 'Love & Dance' and 'I Forgot to Remember to Forget' conveying his own affections for jazz and composition as well as establishing Adams as a solo artist in his own right.  The Baltimore-born artist has cultivated a flourishing career that has seen him celebrate music as a performer but also - as an educator and author - relating its importance within the lives of others.  His commitment to making music and jazz accessible to audiences and prospective musicians alike has gone on a long way in shaping the passion within his own craft.

'This is Neo-Soul' assembles an extraordinary dream team of vocalists and musicians, all stemming from a litany of ensembles including Chic vocalist Kimberly Davis, trumpeter Kenyatta Beasley, vibraphonist Monte Croft and a selection of Roy Ayers stalwarts including bassists Chris DeCarmine and Donald Nicks, vocalist John Pressley and saxophonist Dave Mullins.

And while neo-soul is undoubtedly the album's driving motif, the ten-track release doesn't limit itself to a single interpretation of the genre and - in typical Ubiquity fashion - injects a healthy dose of 70s-inspired jazz-funk into proceedings.  Evident through tracks like the Lonnie Liston Smith cover of 'Expansions' and the take on Ayers' 'Don't Stop', Adams & Company run the gamut of contemporary soul and jazz presenting a sensational showcase for the full range of neo-soul's vast makeup.  

While 'This is Neo-Soul' conveys respectful homages to the genre's architects and forefathers, Mark Adams' perception of neo-soul is to regard it as a thriving and evolving style of music with this album reaffirming his own place within its ongoing conversation.

S-P-(((o)))-T-L-I-G-H-T ::: 3 Songs with Melanie Charles

Season 3 of Blue-in-Green:RADIO's S-P-(((o)))-T-L-I-G-H-T series continues with the celebration of some of our favourite vocalists.  In support of our selections, we've plucked a snazzy 3-song round-up featuring a mish-mash of under-appreciated collaborations and under-the-radar remixes that may have passed listeners by.

This list delves into a mere few of the incredible projects bearing the name Melanie Charles.  Brooklyn-based singer, songwriter, flautist and producer, Charles' musical efforts have found her ingrained within the fabric of New York's jazz, R&B and neo-soul landscape.  A creative and imaginative live performer, Charles has amassed a strong array of solo projects - including 'Introducing Melanie Charles & The Journey' and 'The Girl With The Green Shoes' - standalone singles, remixes and collaborations with Kassa Overall, Jesse Fischer, People's Champs and WDR Big Band, naming just a few.  In typical S-P-(((o)))-T-L-I-G-H-T fashion, we've plucked a trio of some of our favourite Charles numbers which offers a mere snapshot of what's covered in the full episode.

Here are three Melanie Charles tracks that no Melanie Charles collection should be without...

 

1. 'Love is Everywhere' by Mark de Clive-Lowe, Shigeto & Melanie Charles (2021)

The pairing of the prolific producer, composer, pianist and multi-instrumentalist Mark de Clive-Lowe, DJ and producer and staple of the Ghostly collective and record label, Shigeto, and singer, songwriter and flautist Melanie Charles resulted in the fantastic 'Hotel San Claudio' full-length released through the UK's Soul Bank Music.  'Hotel San Claudio' sets an exciting stage for a project comprised of three very different artists in their own right who each bring phenomenal value to the table. The album manages to present each of the three with music that finds them all suitably at home while still sounding unlike any of their previous offerings; 'Hotel San Claudio' doesn't so much straddle a line between jazz and electronica anymore than it just wholly embraces both facets throughout the album.

2. 'Love and Revolution' by Nicola Conte featuring Melanie Charles (2011)

There are thankfully several songs whereby the typically excellent vocal of Ms Charles has graced projects by Nicola Conte.  The Italian, guitarist, producer and DJ revered for his consistently glorious cocktail of bossa mixed with contemporary and classic jazz stylings always attracts a high-level of collaborator with Charles delivering to sensational effect.  For Conte's 'Love and Revolution' album, names including Gregory Porter and Jose James delivered sublime vocal performances but Charles' appearance on the album's title track definitively steals the show.  For an album with a more-than-welcome dash of 70s soul thrown in, Charles guesting on four of the album's tracks helps to push this towards one of Conte's greatest releases and while 'The Mystery of You' also presented a strong candidate, it's unbridled joy of 'Love and Revolution' that demands your attention.

3. 'Dreams' by Lakecia Benjamin featuring Melanie Charles (2012)

The debut album from saxophonist, band leader and producer, Lakecia Benjamin, was unveiled in a blissful cloud of funk and soul through New York's Motema Records.  Citing the album as something of an ode to her heroes, tracks entitled 'Maceo' and her cover of Stevie Wonder's 'Don't You Worry 'Bout A Thing' paint a very clear picture of what this album aims to convey.  With band contributions coming from Jesse Fischer and Solomon Dorsey, the album's guest list is further made up on Amp Fiddler and Mavis "Swan" Poole.  Melanie Charles soars with a superbly sweet vocal on the sublime 'Dreams' delivering a notable album standout.

'Mosaico' by Francesca Confortini & Ryan Mackenzie

'Mosaico' marks the new collaborative release from singer-songwriter Francesca Confortini and arranger Ryan MacKenzie who present a scintillating love letter to Brazilian music and culture.

With Confortini and MacKenzie initially having met at the Guildhall School of Music & Drama, both have taken very different career paths that have led them to this project with each amassing a multitude of accolades and achievements along the way...

For Confortini, a versatile and open-minded approach to her music has afforded the Milan-born and London-based artist to adapt within a variety of styles and ensembles.  Whether serving as vocalist for the high-energy, indy electronics of Terra Viva or the Brazilian outfit Samara or even the lush neo-soul stylings of her own releases including the fantastic 'The Window'.  With a Bachelors degree in  Popular Music Performance and a Masters in Jazz Studies, Confortini has consistently led with a passionate and charismatic presence that is magnetic.  And alongside the skills of Ryan MacKenzie, the vocalist finds a kindred spirit to help elevate her music to an even higher plateau...

With MacKenzie's journey beginning in Aberdeen before venturing to London, the multi-instrumentalist, writer and arranger can since lay claim to an extensive array of credentials that have found him arranging for the Royal Philharmonic Orchestra, BBC Scottish Symphony Orchestra, Royal Scottish National Orchestra, Scottish Chamber Orchestra and English Chamber Orchestra.  In a similar vein to his 'Mosaico' collaborator, MacKenzie thrives upon his affections for various styles of music as his efforts have become noteworthy for being able to celebrate a vast array of influences and styles from celebrating Scottish folkloric narratives, to that of contemporary jazz and of course an adoration for Brazilian music initially fuelled following a trip to Rio nearly ten years ago.

With Brazilian music held so dearly by both Confortini and MacKenzie, 'Mosaico' serves as a project that must come with a weight of expectation, not just for long-term listeners of each of their music, but a heavy weight of expectation for each artist as well.  And to their credit, it's a certainly a concept record that the duo have dived head-first into catering for, in essence, three separate ensembles including a Brazilian rhythm section, a classical-leaning string unit and a horn section.  It's a fascinatingly composed record that at its minimum features Confortini presenting a sublime performance accompanied by just Luca Boscagin's guitar and percussion by Barak Schmool ('Carinhoso'); conversely, 'Tristezza' features Confortini soaring alongside fourteen musicians and a choir comprised of more than forty.

'Mosaico' proves a genuinely staggering perception of Brazilian music that is composed with confidence and a deep appreciation for the music's history and traditions.  An album that is as intimate as it is expansive with Francesca Confortini's dynamic and nuanced vocal matched perfectly with Ryan MacKenzie's intricate and compassionate arrangements.  An album that serves as a definitive jewel amongst each artist's treasure chest.

'Driade' by Sonia Ziccardi

The beguiling talents of singer, songwriter and poet Sonia Ziccardi are beautifully manifested through her debut full-length release, 'Driade'.

Released through Italy's A.MA Records, Ziccardi adds herself to a surprisingly short list when it comes to releases by vocalists for the label.  Francesca Sortino's dynamic projects helped pave the way for the label in its early years while Sanja Markovic's 'Ascension' still holds up as one of the label's most immaculate projects.

While constantly presenting spirited and innovative perspectives on contemporary European jazz, the latest album from Ziccardi fits elegantly within A.MA's impassioned stance on the genre.  And it would appear that Ziccardi couldn't have been more prepared to take this decided step onto centre stage.  

As a highly-educated and highly-decorated vocalist and writer, Ziccardi's successes came early having been admitted to the Bachelor's program in Jazz Singing at the "O. Respighi" Conservatory in Latina and earning a Master's degree in Musical Disciplines with a focus on Jazz Interpretation and Composition, and a First-Level Master's degree in Cantiere Infinito, focusing on choreo-musical improvisation techniques.

Ziccardi's ardent affections for her art have taken her to stages across her native Rome, across Italy and around Europe showcasing her passions as an fervent performer.  But even more than that, Ziccardi is very much to a storyteller at heart - as a published poet, Ziccardi searches for the unspoken narratives that are intertwined discretely all around us which helps to cultivate a nuanced musical perspective. 

And the notion of storytelling certainly finds its way into the narrative of 'Driade'...

'Driade' (or Dryad or Dryades) references tree nymphs as outlined in Greek mythology.  Often hiding from humans, dryads were considered to be the embodiment of nature forging both spiritual, and physical, connections to specific areas and individual trees.  Such was the connection that if the tree died then so did the nymph who was attached to it.  Dryads were protectors of nature and entities that helped to provide balance between mankind and the environment.

And with that understanding, Ziccardi's connections to the ideals of dryads seem to become clearer.  While the dryads assumed the role of protectors, Ziccardi does also in ways that pertain to her artistry - rooting herself to her ideals, culture and commitment to craft.  Considering those principles on a wider landscape however, we have the notion of art's evolution as it struggles to reason with the emergence of AI technologies that continually permeate their way into various facets of the art we consume.

Backed by an incredible ensemble of supporting musicians, the musical landscape of 'Driade' is brought to life with help from pianist Vittorio Solimene, double-bassist Alessandro Bintzions, drummer Federico Chiarofonte and saxophonist Gabriel Marciano.  The music throughout 'Driade' is beautifully composed and exquisitely realised - a confident jazz record that teases traces of folkloric inspiration with more than a splash of 60's soul, as perfectly conveyed through 'Someone Better'.

'Driade' is very much a statement of intent - one that finds Sonia Ziccardi at the project's core; providing balance between tradition and inevitable change.

'Proof of Concept' by Kudda & Friends

'Proof of Concept' marks the debut full-length from pianist K Kudda Muzic and his Kudda & Friends ensemble.

If you've been one of the loyalists who have been glued to releases via Kudda's Bandcamp page over the years then the release of 'Proof of Concept' will come as wonderful - and perhaps overdue - news.  With releases dating back to 2015, Kudda has steadily maintained a release of mixtape projects, EPs and standalone singles that openly reference his affection for a vast array of music and influences...  

'Spntaneous Cmbustion' was one of a few Kudda releases that pays homage to sampling and hip-hop, notably by way of production luminaries like Madlib and Jay Dee; the two-part 'Astromuzical' series boasted Sun Ra-level imagination with its perspectives on space and the infinite cosmos that surrounds us, while conversely, the 'Juno'/'Lie to me' double-header showcased Kudda's lush neo-soul tendencies alongside vocalist Lena Clav.

With Bandcamp presenting a variety of exceptional releases from the St Louis native, his YouTube page is also considerably worth checking out as there is an excellent mix of live performances and studio/jamming snapshots that present the musician in a more intimate and personable context.

Anything bearing the "Kudda Muzic" brand has proved its worth as an innovative and progressive musical statement but the release of 'Proof of Concept' must come with a particular sense of satisfaction as it finds the pianist and band-leader delivering the type of project that he has perhaps longed to create for some time.  

Backed by a full band that finds Kudda joined by drummer Jeremiah Long, guitarist Tyson Armond, trumpeter Josiah Burton and vocalists Noel Spiva and Lena Clav - including others amidst this expansive line-up - Kudda's music is now afforded the creative freedom to embrace even more styles as part of the band's broad repertoire.  

So much of the album's soundscapes revel within a broad sonic palette that teases a level of unpredictability while presenting a record of unadulterated focus at the same time.  The sensational high energy of '7 is the Magic Number' kicks the album off with infectious enthusiasm while the neo-soul styled numbers like 'Night Walks' and 'Juno II' shine as compelling high points for the album.

After years of making and performing music, 'Proof of Concept' feels very much like Kudda's vision realised and while the album will certainly serve as a celebratory milestone within Kudda's career, his will prove a career with an infinite amount of successes still to come.

'TURN THE DICE' by PARRA.DICE

'TURN THE DICE' marks the debut full-length from PARRA.DICE - the Dutch nine-piece seeking to tear apart the rulebook and create music on their own terms.

Building nicely off of their inaugural five-track EP, 'Au Revoir Ooievaar' (2023), the PARRA.DICE ensemble adopt an enthusiastic, all-encompassing approach to their music that finds them welcoming any and all influences and subsequently presenting them as a cohesive musical statement.  

And theirs is a sound that translates incredibly from the studio to the stage - increasingly renowned for their voracious live shows, the group have found themselves making waves at shows and festivals including Sipa, Wildeburg, Into the Woods, ADE, Footprints, Jazzahead! and the Bimhuis.  

'TURN THE DICE' proves an exceptional representation of the band's mission statement with twelve tracks that, in their own way, openly display their vast array of influences.  The album delivers a vast sonic palette that adeptly makes everything elegantly connect while maintaining the record's unpredictability at the same time.  Plus, vocalist FENNE shines on 'Horizon' sounding comfortably at home alongside the band's broad soundscape.

PARRA.DICE may very well have created an almost abrasive perception of music in the modern era - one that defies genre and categorisation subsequently envisioning a musical landscape whereby boundaries - or "cages" as the band have previously described - don't exist.

Maybe PARRA.DICE are onto something.  We may very well be in the era of "post genre" whereby categorisation simply doesn't matter to people anymore.  Maybe it is limiting from the perspective of an artist who can be made to feel that being boxed into a genre means that you are unable to branch out and present music that is truly reflective of everything you would want it to be?  So PARRA.DICE's defiance and commitment to pursuing their own artistic truth should certainly be applauded.

But, there's a flip-side to that argument.

There always is.

While PARRA.DICE may very well have created music that finds them running away from labels like "jazz", there may be the most basic of all truths within the genre that is being overlooked... It's a truth extolled by its greatest minds and it's the very simple fact that "Jazz is freedom".  Those simplistic words are attributed to the great Thelonious Monk but another, slightly more detailed explanation comes from Duke Ellington who said: "Jazz is the only unhampered, unhindered expression of complete freedom yet produced in this country."

PARRA.DICE are a band chasing freedom in every sense.  It's even in their name.  And while the collective feel their explorations have them escaping categorisation, inadvertently, they may very well have just crafted a record of immeasurable purity that it could only ever be considered jazz. 

Whatever anyone calls it - it's brilliant!

S-P-(((o)))-T-L-I-G-H-T ::: 3 Songs with Kylie Auldist

Season 3 of Blue-in-Green:RADIO's S-P-(((o)))-T-L-I-G-H-T series continues with the celebration of some of our favourite vocalists.  In support of our selections, we've plucked a snazzy 3-song round-up featuring a mish-mash of under-appreciated collaborations and under-the-radar remixes that may have passed listeners by.

Today we celebrate one of the most revered names in contemporary funk and soul in Kylie Auldist.  Hailing from Broken Hill, Australia, Auldist has served as one of the most prominent names amidst Australia's thriving soul scene that boasts no shortage of immeasurable talent.  As the lead vocalist for The Bamboos, having joined in 2006, Auldist has gone on to release six full-length albums as a solo artist as well as work with a veritable who's who of soul music talent from around the world including Cookin' On 3 Burners, Flevans, Aldo Vanucci, Dr Rubberfunk, Ashley Beedle and much more.  In typical S-P-(((o)))-T-L-I-G-H-T fashion, we've plucked a trio of some of our favourite Auldist numbers which offers a mere snapshot of what's covered in the full episode.

Here are three Kylie Auldist tracks that no Kylie Auldist collection should be without...

1. 'I Don't Wanna Stop' (Strings Version) By The Bamboos (2019)

As part of the Australian funk & soul luminaries' twentieth-year celebrations, The Bamboos released 'By Special Arrangement' through Brighton's Tru Thoughts Recordings as a way to affectionately lament on a staggering career.  As described on the band's Bandcamp page, the album presented "strings reinterpretations from The Bamboos catalogue" which proved an inspired concept for an album.  The lush orchestral accompaniments ushered in exquisite new perspectives of Bamboos classics including the band's signature 'Keep Me in Mind' and 'I Don't Wanna Stop'.  All reinterpretations of songs that worked in stark contrast to the hundred-miles-an-hour blistering soul typically associated with The Bamboos.

2. 'Happy' by Kylie Auldist (2023)

Since 2011, the Women of Soul brand has continued with this commitment to bringing new eyes and opportunities to Australian female talent.  A project helmed by the multi-talented Chelsea Wilson, Women of Soul has long waved the flag for innovative and inspired perspectives through a lengthy lineage of live performances, workshops, collaborations and music releases, as first unveiled through their self-titled album as far back as 2015.  Initially plagued with delays from the 2020/2021 quarantine period of social distancing, face masks and excessive amounts of hand sanitizer, 'Feel Good' - the second album under the Women of Soul banner - is a project that comprises more than 35 female creatives filling every music-making role from vocalists, songwriters, producers, engineers and musicians across the whole album.  Boasting some fantastic contributions from Chelsea Wilson, Candice Monique, Rita Satch amongst others, Kylie Auldist's two contributions certainly serve as high points for the project that is in itself a sensational milestone within the rich legacy of the Women in Soul brand.

3. 'One of the Ones' by Cookin' On 3 Burners featuring Kylie Auldist (2018)

Amidst the expansive array of Australian funk & soul flag wavers that have surfaced over the last twenty years, it would be near impossible to recount any list that wouldn't cite the unbridled efforts of Cookin' on 3 Burners.  With past releases on the aforementioned Freestyle Records, C3B have steadily been releasing their projects via Soul Messin' Records and have been subsequently cultivating an incredible label home as a result.  With releases dating back to 2000, the Cookin' trio have continued to deliver powerhouse performances alongside innovative and inspired takes on the genre's contemporary landscape.  With Kylie Auldist serving as a frequent collaborator for the trio, her powerhouse vocal has graced several of their projects over the years delivering stellar contributions amidst the C3B catalogue.  For this list however, we'll point your attention to the trio's 'Lab Experiments Vol. 2' and the sublime Auldist-assisted 'One of the Ones'.

S-P-(((o)))-T-L-I-G-H-T ::: 3 Songs with Pete Simpson

Season 3 of Blue-in-Green:RADIO's S-P-(((o)))-T-L-I-G-H-T series continues with the celebration of some of our favourite vocalists.  In support of our selections, we've plucked a snazzy 3-song round-up featuring a mish-mash of under-appreciated collaborations and under-the-radar remixes that may have passed listeners by.

The amazing UK vocalist Pete Simpson finds himself the target of our celebrations today.  As one of the most dynamic and versatile sings within the country today, Simpson's musical legacy runs deep amidst the contemporary landscape which has seen the singer grace an incredibly vast array of projects including the drum & Bass of Hospital Records, the disco-inspired boogie of Joey Negro & The Sunburst Band or tracks that delve deeper into the soulful house and dance diaspora.  In typical S-P-(((o)))-T-L-I-G-H-T fashion, we've plucked a trio of some of our favourite Simpson numbers which offers a mere snapshot of what's covered in the full episode.

Here are three Pete Simpson tracks that no Pete Simpson collection should be without...

1. 'Weightless' by Middlewood Sessions featuring Pete Simpson (2012)

The self-titled nine track release by the Middlewood Sessions was a truly sensational project that unfortunately we didn't get more from.  Based in Sheffield, UK, the ensemble was helmed by Mark Slater and Alex Beauchamp and, as described on their Bandcamp page, strived "to forge heavyweight dance floor jazz jams and widescreen down tempo beats".  A noble description - and certainly an apt one - when considering the vast scope the project sought to encompass.  Boasting two guest spots from Pete Simpson in 'Weightless' and 'Help Me', Middlewood Sessions was a fantastic project for the vocalist to appear on and demonstrate a different side of his musical make-up.

2. 'You Make Me Feel' by Hundred Strong by Pete Simpson (2011)

Producer Ben Dubuisson has a variety of projects over the years including Cosmic Link and Deep Patterns.  Back in 2011 however, his breakout project would come in the form of Hundred Strong and the album 'Stylin Free'.  A project that encompassed a range of musical styles from R&B to hip-hop with nods to club culture, Dubuisson's versatile project further boasted contributions from Amp Fiddler, J. Todd and Joseph Malik.  Pete Simpson guests on the album's closing number - and one of the album's standout tracks - in 'You Make Me Feel'.

3. 'Holding You, Loving You' by Shuya Okino featuring Pete Simpson (2011)

Shuya Okino's 'Destiny' album came amidst a whirlwind of excitement upon its release.  Superseded by the disco-esque 'Still in Love' - an excellent production that boasts a delicious jazz break near the song's climax - the eleven track album proved a triumph for one-half of the revered Kyoto Jazz Massive duo.  Featuring some excellent vocalists across the project including Divinti, Clara Hill and N'Dea Davenport, Pete Simpson's two-track appearance makes an invaluable contribution most notably for his tackling of the Don Blackman classic, 'Holding You, Loving You'.  Fans of the CD version of the album further delighted in the elegant matt laminate version of the casing giving another reason to cherish this record.

New JAZZ Round-UP ::: March 2026 (pt2)

'Freedom of Art' by Corcoran Holt

Eight years after his initial debut full-length in 'The Mecca' (2018), bassist, composer and educator Corcoran Holt unveils his long-awaited sophomore album release in the sensational 'Freedom of Art'.  While the time in between projects may have been longer than listeners would have liked, Corcoran's indelible talents have certainly not rested on their laurels with the bassist having clocked up work with an incredible roll-call of contemporary names including Kenny Garrett, Teodross Avery, The Rongetz Foundation, Jean Baylor and Katsuko Tanaka.  Holt's earnest and heartfelt sensibilities towards his music have consistently managed to express the ideals that he holds dearest to him.  From his devotion to family and his commitment to discipline and betterment, 'Freedom of Art' serves as an exquisite love letter to those principles through music that is beautifully composed and superbly performed.  Backed by a fantastic array of supporting musicians which include Stacy Dillard, Josh Evans, Benito Gonzalez, Kweku Sumbry and Lewis Nash, Holt and company offer up an inspirational fifteen-track statement of intent conveyed through sincere and impassioned compositions.  Corcoran Holt delivers a truly scintillating project that not only reasserts himself as one of the most accomplished and thoughtful bassists performing today, but also affirms that genuine freedom - be it artistic, personal or spiritual - rests in the ability and courage to create without compromise.

'Todo Tiempo Pasado' by Laura Camacho Tango Project 

The Argentine upright-bassist and band-leader Laura Camacho unveils her wonderful new project continuing her unwavering commitment to bringing Argentine Tango to the world.  Having grown up in Buenos Aires and become fascinated with Tango at such a young age, Camacho moved to the US at 30 to further her education, securing two degrees in the process.  Now as an esteemed musician and educator in her own right, Camacho continues to express her devotion to her music - and also to her culture - through everything that she does.  As also a member of the Broken String Band and Symphony Orchestra Augusta, it is perhaps Camacho's work as founder of the highly-decorated and oft-celebrated Athens Tango Project that has garnered her the most acclaim.  Featuring an expansive roll-call of artists that have performed as members at one time or another, Camacho cemented her bold musical intentions through an ensemble founded nearly fifteen years ago and that still receives wild acclaim today.  Through her new ensemble, The Laura Camacho Tango Project, the boundlessly-talented and inspirational artist unveils a fantastic ten-track project that reasserts her talents and core values all over again.  'Todo Tiempo Pasado' serves as a scintillating ode to Tanguera through vibrant, orchestral-heavy compositions that also find remarkable re-imaginings of Britney Spears' 'Toxic' and Kate Bush's 'Running Up That Hill'.

'Shapeshifter' by Jon Henriksson

'Shapeshifter' serves as the latest release from double-bassist Jon Henriksson which marks his debut with Danish contemporary jazz flag-wavers in April Records.  With his own full-length debut having only come in 2023 in the form of 'Harmonia', Henriksson finds himself in the midst of a creative foray that finds him keen to extoll new musical narratives amidst varying ensembles.  'Shapeshifter' once again pairs Henriksson with long-time friend and collaborator in pianist Rasmus Sørensen and drummer Jonas Bäckman - both returning from 'Harmonia' but now being paired alongside newer band members in saxophonist Karl-Martin Almqvist who rounds out the core quartet.  Asserting himself as an April Records staple - having last appeared on Sørensen's 'At the Right Time' (2024) - Henriksson shares an inspired ideology very much in line with April's encouragement towards a free-thinking and improvisational approach to their artists' music.  'Shapeshifter' soars as an album that masters the art of patience; throughout the album's eight compositions, Henriksson helps to foster an environment and interplay between his band members that relishes the understated elements between them.  It's a lush harmony that accentuates trust between its players and which formally introduces Henriksson amongst the April top tier.

'Monk & More' by Richard Andersson with Rudi Mahall, Artur Tuznik & Kasper Tom

The tirelessly prolific efforts of double-bassist Richard Andersson have found a fascinating new vehicle which finds him paying homage to one of jazz's greats in pianist Thelonious Monk.  For the Copenhagen-based musician and band-leader, the thrill of improvisation and collaboration have long served as motivating factors for the abundance of new music that he is able to continually unveil through Hobby Horse Records.  The last twelve months alone have seen Andersson helm new music projects with his trio alongside Carl Winther and Jeff "Tain" Watts ('Steep Steps'), as a member of Anne Efternøler & Lige Børn ('Brugskunst') and release music via another dynamic new quartet in Omrum ('Bringer of Light').  With Hobby Horse serving as the perfect playground to champion new, innovative and improvised perspectives on contemporary jazz, Andersson's 'Monk & More' is sure to exquisitely convey those same values.  Paired with clarinettist Rudi Mahall, pianist Artur Tuznik and drummer Kasper Tom, the four-piece present an inspired take on Monk's compositions as well as music by Lennie Tristano, Ornette Coleman, Lee Konitz and Jimmy Giuffre.  Nine charismatic performances that showcase an affectionate and personality-driven perspective on music by jazz greats.

New JAZZ Round-UP ::: March 2026 (pt1)

'Gratitude' by Søren Bebe Trio

As evident by the album's title, the notion of appreciation - and of course 'gratitude' - serves as the driving narrative throughout the latest release from the Søren Bebe Trio.  And as a collective that have gone on to warrant a whopping nine albums to their name since forming in 2007, it's certainly an understandable emotion for the Scandinavian trio to express.  Comprised of pianist Søren Bebe, bassist Kasper Tagel and drummer Knut Finsrud, the trio can further boast having performed at esteemed festivals and venues around the world including having graced stages across Europe and the UK, the US, South Korea and Hong Kong.  Featuring a mix of original compositions alongside notable covers - which still maintain the theme of gratitude (like the inclusion of  Billy Joel's 'And So It Goes') - the album proves as exquisite as listeners have now come to expect from the long-standing trio.  The music is beautifully performed and affectionately calls to mind being inside on a deftly cold winter night whether with the company of another or the luxury of nostalgic introspection.  A final note has to go to the album's endearing cover artwork which captures so much of the album's essence and intention.

'Heights Prospection' by Alain Métrailler

'Heights Prospection' marks the debut full-length release from saxophonist Alain Métrailler, unveiling his new album through Unit Records.  With projects by Marton Juhasz, YongLee & The Doltang and Yumi Ito, Unit's all-encompassing approach to contemporary jazz serves as a wonderful partner to Métrailler's ambitious ideals.  Having grown up in Switzerland, Métrailler moved to New York in 2019 to study at The New School for Jazz & Contemporary Music where he would ultimately stay for a further six years.  While honing his skills in that time, Métrailler's 'Heights Prospection' proves to be a fascinating concoction born of European jazz and jazz born of the unbridled allure of New York City.  From jazz legends to contemporary luminaries, New York's infectious city life gives an unparalleled perspective on jazz that impacts Métrailler's music in delightful ways.  And while the indelible imprint of New York jazz resonates throughout the album, courtesy of its roll-call of city-based artists including pianist Elias Stemeseder, double-bassist Chris Tordini and drummer Eric McPherson.  In a further delicious slice of artistic irony, 'Heights Prospection' can further boast the inclusion of another Swiss-born, New York resident in Grégoire Maret who guests - harmonica in hand - on 'Flight of the Humble Being'.

'Being' by Human Being Human & Chris Cheek

Since Human Being Human debuted in 2022 with 'Equals', the Danish trio have consistently displayed an elegant sensitivity within their music that sees them confidently explore what it is to be human.  Across their three album releases to date, double-bassist Torben Bjørnskov, pianist Esben Tjalve and drummer Frederik Bülow have tackled themes exploring our impact in relation to the world around us, our impact as individuals as we strive to connect with others and have even explored the notion of our death and the impact our own legacies leave behind us long after our passing.  'Being' continues within the trio's critical assessments and this time find themselves in the esteemed company of US saxophonist Chris Cheek.  An established solo artist in his own right, with releases dating back to the late-90s, Cheek has also proved himself a versatile and dynamic collaborator gracing over one hundred albums as a collaborator for Luciana Souza, Brad Mehldau and Seamus Blake.  And Cheek serves as the perfect accomplice for 'Being' as he seamlessly adopts the trio's self-reflective sensibilities and plunders deep into the nature of Human Being Human's musical and introspective explorations.  While the compassionate interplay between Bjørnskov, Tjalve and Bülow have helped to define their sound and approach to working, it's a wonderful thing to see Cheek adapt to the group's existing dynamic so effectively.  With the saxophone also adding a captivating new dimension to the Human Being Human aesthetic, Cheek has presented himself as integral to the album's cohesion which is a testament to his own sensibilities.

're:connections' by tram 92

In reference to the tram that would carry them both to and from rehearsals for this very project, Chris Bestwick and Anthony Barilla unveil their debut collaborative EP under the guise, tram 92.  Having connected in Brussels last year, guitarist Bestwick - who we herald for his work alongside Graeme Flowers for Archie the Goldfish - further boasts a resume that has seen him perform alongside revered names including James Taylor and Ali Slimani as well as creating music as part of the Finnish collective Timeforsoul, not to mention his releases as a solo artist in his own right.  Multi-instrumentalist and multi-disciplinary artist Barilla boasts a similarly impressive catalogue with as one-half of Merel & Tony as well as collaborations with Lisa D'Amour and Suzan-Lori Parks and an extensive array of theatre work to his name.  're:connections' pairs Bestwick's guitar and production alongside Barilla who helms accordion duties for the project: released through the UK's Funkiwala Records, the EP showcases some bold compositions that are expertly layered with Bestwick's understated drum patterns which pull the seemingly disparate elements snugly together.

:n-the-m:x | February 2026

Welcome to our monthly mix series with each episode spotlighting 10 tracks that we were particularly excited about across various shows on Blue-in-Green:RADIO. This month showcases a selection providing a 45-minute excursion from alternative soul, hip-hop-inspired R&B to off-kilter jazz and smooth electronica.

Music this month comes courtesy of...

'Steadily' by Hannah Featherstone (Most Least)

'Energy' [Children of Zeus Remix] by Georgie Sweet (First Word)

'Dream a Twinkle' by GENA (Lex Records)

'7 is the Magic Number' by Kudda & Friends

'Stop Searching for Love' by Jake Mason Trio featuring Kate Caberano (Soul Messin)

'Magma Motion' by La Note (Oioji)

'Running Back' by Asta Hiroki (Folded Music)

'My Brain Feels So Good' [Socool Mix] by CommsBreakDown & Socool

'We Whittled a Spoon' by Harry Christelis

'Encore' by Kabasse (Kapitaen Platte) 

:n-the-m:x is exclusive to our Mixcloud channel so be sure to check back at the end of every month for future round-ups.